Some fictions live
in history books:
who dare remove
“a fine illustration
of the character
of early Rome,” whether or not
rapacious bachelors
really put on
a show (the play’s
the thing) to dazzle
parents [howling
cheers through wine-
stained lips under Apollo’s
(O, god of truth, how
does your) light (not reveal
the treachery of cunning
men?) to singers,
dancers (offered a bride
to perform this day, or
just too amused by the game
not to play?)] from several
Italian states, and “en-
rapture” their virgin
daughters like a god-hand?
And young ladies raped
had little hope but marriage
to the rapist (Deuteronomy
22:28 agrees, and adds
a bride price to the bargain),
or a shame-dodging suicide.
(Lucretia was not happy.)
Girls of eleven bought
their lives by plotting words
of love: self-preservation
wrapped in nobility,
rationalizations beyond
their years; they would make
good Roman mothers. And they
would live [to wage the war
between vir and femina (the Vestal
buried alive in a crypt, Ovid,
exiled for carmin et error,
the priestess of the bona dea, armed
with venoms to abort children,
or marriages [house-bonds
are strong, but mortal, at end],
warriors all, and cells in a body
of war, ever absorbing
its enemies whole, and when
the great Marcus Antonius
allowed the reverse, when he let
a part of the body of Rome
be devoured, it was the most
unRoman thing he could do
[but back home, secretly,
the feminae approved])].
1. Apollo
2. War
3. History